“…he was not the inventor of it; he first saw it among the Shaking Quakers….”

In a participatory class about making soap the leader started her presentation explaining the steps that would be involved in the day’s activities. Following her welcome, she started, “First, we’ll need to slaughter, butcher, and render the fat from an old hog.” Before the students could flee the room, she announced that we would be skipping that step in light of time constraints. Her point, however, was not lost on the class. Many of the classes involving early crafts and trades have been cleansed of the unpleasant preparations our forefathers and mothers undertook without question. Such is the case with most trades associated with wood. Most woodworking projects now begin with boards of a standard thickness, width, and length and we ignore the process that historically would have been used to get them to that state — felling and limbing a tree, hauling the tree trunk, cutting it to length, splitting or sawing it into boards, drying the boards, regulating them to a particular thickness, making their faces and edges parallel, and smoothing their surfaces. All of this, done by hand, is brutal work. Until the advent of practical machines, the preparation of usable boards from rough-sawn lumber could take as much time as making the boards into something.

The Shakers were interested in reducing the amount of unnecessary labor needed to build up the physical part of their “heaven on earth,” and the thickness planer made smoothing boards easier.

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Thickness Planer (right side), Church Family, Mount Lebanon, NY, ca. 1860, Shaker Museum | Mount Lebanon: 1952:6054.1, John Mulligan, photographer.

There had been a number of attempts to ease the chore of planing. Most of the early attempts were designed to move a traditional hand plane, driven by a reciprocating shaft, back and forth over a piece of wood . The great improvement came with the use of a rotary motion to plane boards. The history of these planing machines in America features two dominate men, each with a specific approach to flattening, regulating the thickness of, and smoothing boards. William Woodworth from Hudson, New York patented a successful planing machine in 1828. His machine had two long sharp blades mounted in a rotating horizontal bar set at an adjustable height above a flat table. Mounted in the table were slowly rotating cylinders that pushed and pulled the board under the rotating planer blades. This design was the precursor of the modern planing machine. The biggest draw-back of the Woodworth machine was that, while it smoothed and regulated the thickness of a board, it did not always make it truly flat. If the board was twisted and warped before planing, it would probably still be twisted and warped after planing.

The second player in this story was Thomas E. Daniels of Worcester, Massachusetts. His was the first successful machine patented in America to truly flatten a board. His planer, patented in 1834, had a movable carriage to which a rough-sawn board could be secured so it could not move or flex. The carriage advanced under a rotating vertical shaft to which was fastened a bar parallel to the carriage. This bar had a cutting blade mounted at each end. When rotating – the power was often supplied by a waterwheel – the cutters sliced across the board removing any unevenness and leaving a truly flat surface. To make a board that was of a consistent desired thickness, the height of the cutters above the board would be set at that height; the board would be turned over, secured to the carriage, and again passed under the cutters.

Each machine had its advantages – the Daniels planer produced a board that was not twisted or warped and the Woodworth produced a smoother surface. Often a workshop would have one of each of the machines – flattening their boards on the Daniels planer and finishing them on the Woodworth machine.

Woodworth held a patent on his machine, but it was frequently contested and he was in constant litigation. He sold the rights to most of the individually patented improvements to the machine to a syndicate of three investors who manufactured them. They sold the planers, and also charged the owners on a per-linear-foot-planed basis for using them. Woodworth died in 1839 but passed on his part of the patent to his children. As the Woodworth children and the syndicate had a monopoly on this type of machine, it was a very lucrative business and as such they protected their patent until 1856, when it could no longer be extended. Litigation concerning the patent occasionally involved the Shakers. In 1851, Mount Lebanon brothers Jonathan Wood and Henry Bennet were called to court in Albany “concerning the lawsuit, pending between Gibson & Allen about the Planing Machine …There is much contention in the law about Woodworth’s patent – Gibson [one of the men who bought the patent] has lately had the right renewed 6 years – He holds the right & forbids others (us with the rest) using it without paying for it. We consider it unjust & so do others: & some, rather than submit to pay, stand against in the law.” [Quoted in Planers, Matchers and Molders in Americaby Chandler W. Jones, 1985.] The Shakers were called to testify because they were known to use machines similar to Woodworth’s at the time he “invented” the planer. In fact, in 1833 when William Woodworth’s lawyers returned from court to tell him that the judge demanded that he write up new specifications for his patent that would claim rights to only those parts of the machine he had invented, “he smiled and said the whole of them were fools, for they occupied the time of the court for three days on what he could have told them in five minutes; that he was not the inventor of it; he first saw it among the Shaking Quakers in the western part of the State of New York.” Joseph Turner who had been a machinist who helped build Woodworth’s first planers reported this comment adding that he “was astonished to hear him say that, after selling the patent.” [“A Domestic Journal of Daily Occurrences Kept by…Isaac N. Youngs, [1847-1855], Church Family, Mount Lebanon, NY,  Western Reserve Historical Society Library, Shaker Collection, mss. no., V:B-70.] The Woodworth patent cases had a long-term effect on patent law and were, in part, responsible for adjustments in 1861 to change the life of patents from 14 to 17 years – 17 years without extensions.

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Thickness Planer (detail of cutting head and feed rollers), Church Family, Mount Lebanon, NY, ca. 1860, Shaker Museum | Mount Lebanon: 1952:6054.1, John Mulligan, photographer.

The planing machine in the Museum’s collection is clearly a Woodworth-style planer. It has not yet been determined if the planer was made by the Shakers or if they purchased it. All of the metal parts on the planer were cast. If the Shakers had gone to the expense of making several dozen casting patterns, having them cast, and machining them to fit together properly, they would have made several of these machine. No other examples survive. There is no manufacturer’s name on the planer, however if it was commercially made the name may have been left off to guard against the maker being sued by the syndicate. The blades on the planer are marked “A. Wheeler, Brattleboro, Vt.” Wheeler is a known manufacturer of edge tools – axes, adzes, drawknives, and, apparently, planer blades.  At the same time Wheeler was in business there was a manufacturer of planing machines in Brattleboro, Calvin J. Weld, from whom the Shakers purchased a planer in the 1850s for their Tyringham, Massachusetts community. It is possible that this machine was obtained from the same source. Whatever its source, the Museum’s planer is a remarkable machine still in operating condition – sharp blades and all.

 

 

 

Splitting wood in the 19th century

Hildreth Patent Double Wood Splitter

Hildreth Patent Double Wood Splitter, North Family, Mount Lebanon, NY, 1883, Shaker Museum | Mount Lebanon: 1950-1118.1. John Mulligan, photographer.

Maintaining a sufficient supply of seasoned wood for heating and cooking occupied a considerable amount of time and space for the Shakers at the North Family at Mount Lebanon. The brothers and hired men would begin getting in logs from the mountain wood lots in February and March. By 1830 the Shakers used a circular saw located outside their Brick Shop, powered by its waterwheel, for cutting the logs and what they called “small wood” (branches) to proper firewood length. The logs were then split by hand and carted to one of several wood houses to season under cover. The work of splitting more than one hundred cords of firewood every year was made much easier in the early 1880s when the North Family purchased a Hildreth Patent Double Wood Splitter. An advertising brochure published sometime after 1886 carried two testimonials from the Shakers, one from the Canterbury Shakers dated around 1878 and the other from Elder Frederick W. Evans during the winter of 1883. Both highly praised the machines. Elder Frederick visited Canterbury in June, 1878, and likely saw their Hildreth splitter in operation at that time. In the winter of 1883, he wrote  in his testimonial, “I bought it for a Canaan Family. They had a lot of some fifty cords of wood sawed up. It was an exceptionally hard lot to split, – mostly Elm. It was their opinion that the machine would fail to do the job. They set it up and put it to work. The foreman stood and watched the operation for a little while, then turned on his heel and said, ‘That will do! It splits any thing put under it.’”

On March 21, 1883 the brothers from the North Family went down to the Upper Canaan Family to watch the machine in operation. As the original intention was that the machine would be shared between the Upper Canaan Family and the North Family, on March 29, 1883 the machine was brought from the Upper Family and put near the firewood saw at the Brick Shop and powered by the waterwheel. It “worked splendidly.” Two days later, however, the splitter broke and had to be taken to Pittsfield, MA, for repairs. The next year the splitter was set up inside the north end of the North Family Wood House and powered by the ten-horsepower Backus water motor the North Family used to operate the machinery in the laundry in the other end of the building. In the floor of the Wood House, where the machine once stood, the Shaker cut two square recesses either to keep the machine from moving across the floor or to level it – or both. The precise location of the machine is preserved by these recesses. 

Advertising Brochure, Hildreth’s Patent Wood Splitter

Advertising Brochure, Hildreth’s Patent Wood Splitter Manufactured by Hildreth Bros. Harvard, Mass, ca. 1886, Hancock Shaker Village: 4244.

The Hildreth Brothers of Harvard, Massachusetts, manufactured these machines. They were made in several different sizes ranging from the smallest – the one the Shakers purchased, capable of splitting wood up to 17 inches long — to one that would split wood 50 inches long. The Shakers paid $240 for their machine. The patent for the splitter (U. S. Patent No. 205550 issued July 2, 1878) was held by its inventor Edwin A. Hildreth, and witnessed by Stanley B. Hildreth and M. G. Hildreth – likely the “Brothers.”  The promotional brochure for the machine suggests that “Parties testing these splitters on rock maple wood from one to two feet in diameter, and so hard that it was with great difficulty that a hand axe could be made to enter it at all … work[ed] so easily and rapidly that, as they expressed it, ‘the boys had hung up their hand axes and would swing them no longer.’” Operating between 125 to 175 strokes per minute the double splitter could split ten to 18 cords of firewood per day or up to eight to ten cords of kindling. 

[An aside: In 2010 the elementary school in Harvard, MA, was renamed the Hildreth Elementary School to honor the gift of six acres of land and half the construction cost of a school built in 1904. The Hildreth family – Edwin A., Stanley B., and Sister Emily E. – were the donors.] 

Although the Museum’s Hildreth wood splitter has not been used to make firewood since the 1930s, there are still some of these machines in operation – mostly being demonstrated by old-time machinery enthusiasts. To watch one of these splitters in operation follow this link and remember that while the machine in operation here is working at a speed of about 60 strokes per minute, the machine was intended to operate two to three times that fast. 

 

Popcorn ball press

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Fig 1: Popcorn Ball Press and Accessories, Church Family, Canterbury, NH, Ca. 1885, Shaker Museum | Mount Lebanon, 1953.6589.1 (press) and 1953.6590.1-.3 (cylinders)

Shaping popcorn into balls when it is covered in hot sugar syrup or molasses is hard on the hands, especially in quantity. This popcorn ball press relieved that discomfort and made consistently sized balls.

Using the press was pretty simple – the metal cylinders were filled with sticky popcorn and then placed on the base of the press. The arm was pushed down until the two recesses met, trapping a perfectly round ball between them. The finished popcorn balls were then either served or wrapped in cellophane or waxed paper to be eaten or sold later. Though there’s no documentation of the Shakers selling popcorn balls, the three accompanying metal cylinders suggest a vigorous production.

The Museum’s 1953 accession records for the popcorn ball press provide two significant pieces of information: That the press was made by Canterbury Brother Alexander Cochran (sometimes Cochrane), and that it was used for making “molasses popcorn balls.” Brother Alexander Y. Cochran was born May 14, 1848. Much of Brother Alexander’s life story eludes us, but we know he was the natural brother of Eldress Dorothea T. Cochran at Canterbury. Eldress Dorothea was born in 1844 in Duntalker, Scotland. While the 1860 census gives Alexander’s birthplace as Massachusetts, it is likely his parents came to this country between 1844 and 1848. Brother Alexander was second elder in the Canterbury Church Family and worked closely with Ministry Elder Henry Blinn on managing correspondence and financial matters pertaining to the publication of the Manifesto up until May, 1890, when he decided to leave the Shakers. Little more is known about his post-Shaker life, except that an Alexander Y. Cochrane of Waverly, Massachusetts, was granted patent 584,922 on July 22, 1897 for an improvement in a “yielding wire seat frame” and that he was, in 1920, married to Louise F. Cochrane. Among Eldress Dorothy’s vital statistics it is recorded that she had a brother living in Waverly, Massachusetts, so it’s likely this is the same Alexander Cochran. We don’t know whether the popcorn ball press was a harbinger of Brother Alexander’s inventive nature, but his departure from the Shakers in 1890 does provide a date before which the press was made and used.

There are two scenarios for the Canterbury Shakers popcorn ball adventures  – one, that they made traditional blackstrap molasses popcorn balls and the second, that molasses, in this case, refers to maple molasses. Any readers with special knowledge of the history of popcorn balls in New England are encouraged to weigh in.

Maple Molasses: About two miles from the Shaker Village at Canterbury, the Shakers had an 800-tree sugar bush that they tapped for over a half a century. The trees produced over 50 barrels of sap per day during sugaring season and the sugar house workers could turn that into 50 gallons of syrup or 350 pounds of maple sugar. The Canterbury sisters made a variety of maple candies to sell from the sugar and it is reasonable to think that maple molasses popcorn balls may have been among their offerings for sale. A simple recipe for maple molasses popcorn balls can be found at here.

Blackstrap Molasses: In the 1880s the cane sugar and molasses jockeyed for position as the more expensive sweetener. Cane sugar had historically been the more expensive of the two, but as improvements in processing sugar cane were made it eventually became quite inexpensive and a premium emerged for those who preferred the taste of blackstrap molasses. If you have not tasted molasses popcorn, think Cracker Jacks, America’s first “The More You Eat the More You Want” junk food. Its flavor is an acquired taste (and today’s corn syrup Cracker Jacks do not do the original justice), but apparently once a devotee, it was greatly preferred by some in some foods – popcorn balls being one of them. There are a number of recipes available for making molasses popcorn balls. One five-star recipe for “bare-bones popcorn balls” that uses just popped corn, molasses, and refined sugar can be found here. The final step in this recipe is to “eat whatever sticks to your fingers.”  Bon appetit!

 

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Molasses Popcorn Balls from Tori Avey: Tori’s Kitchen website.

 

“[T]he first Harvesting machine ever used in the township, and we have heard, the first one in Columbia Co. N. Y.”

Shaker Museum | Mount Lebanon recently received a small collection of photographs made in and around the town of New Lebanon, New York by an as yet unidentified photographer. Among the photographs is a print of Brother Levi Shaw (1819-1908) standing behind a McCormick binder at the North Family at Mount Lebanon. This photograph was published on page 115 in The Shaker Image by Elmer Ray Pearson and Julia Neal (1974). The caption for the photograph includes a notation written on the original photograph, from which the published copy was taken, that reads: “Br. Levi Shaw of North Family, Mount Lebanon, N. Y. Arranging to buy the first Harvesting machine ever used in the township, and we have heard, the first one in Columbia Co. N. Y.” In the second annotated edition of The Shaker Image, prepared by Dr. Magda Gabor-Hotchkiss, she identifies the Western Reserve Historical Society in Cleveland, Ohio, as the owner of the original image bearing that inscription. The Historical Society does not supply either a date or photographer for their copy of the image.

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Photograph of Brother Levi Shaw and a McCormick Grain Binder, North Family, Mount Lebanon, NY, ca. 1900, Shaker Museum | Mount Lebanon: 2016.24192.1

The McCormick binder was part of a long line of grain harvesting machines developed by Cyrus Hall McCormick (1809-1884). His original mechanical reaper was a horse-drawn machine that cut grain and gathered an appropriate amount together to be hand-tied into a sheaf with a piece of twine or straw. A number of sheaves, usually twelve, were leaned against each other with grain at the top to form a tent-like structure called a stook or shock. When fully dry, the sheaves were taken to the thresher to have the grain removed from the straw and the chaff from the kernels. McCormick’s reaper was first marketed in 1831 and was a huge improvement over the use of sickles, scythes, and cradles for harvesting grains. In 1884 the McCormick Harvesting Machine Company offered its first machine that added a binding operation to the cutting and gathering done by the reaper. The machine, a reaper-binder, or usually just called a binder, had been invented in 1872 by Charles Baxter Withington.  Many improvements were made by various mechanics before McCormick’s machine was available in 1884. McCormick’s binder used twine and a knotting mechanism to tie the grain into sheaves. The sheaves were dropped on the ground to be gathered into stooks.

An attempt to date this photograph has netted inconclusive but enlightening results. The McCormick company’s first offering of a binder in 1884 and Brother Levi’s death in 1908 provides a wide bracket for dating this photograph.  Records of daily events at the North Family tell us that in 1891 the Shakers purchased a binder on August 1st – “Buy Reaper & Binder $145.” This is the first mention of purchasing a binder in the records to which we have access. If we assume that the comment from the copy of the photograph from the Western Reserve Historical Society is correct, then it is possible that the photograph dates from 1891. However, the binder purchased in 1891 may have been made by another company and the inscription is wrong. Few of the photographs in the collection from which this photograph came are dated. Of the ones that are dated, the earliest is 1894. An inquiry to the “askmccormick” reference desk at the Wisconsin Historical Society resulted in the information that the font style used on the McCormick name plate on this binder was used between 1898 and 1903. We will have to be satisfied with a circa 1900 date for the photograph until documentation of the date the North Family purchased specifically a McCormick binder is discovered.

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Photograph of Brother Levi Shaw and a McCormick Grain Binder at the Shaker Swamp Meadow, North Family, Mount Lebanon, NY, ca. 1900, Shaker Museum | Mount Lebanon: 2016.24193.1

In addition to the rather well known image of the Brother Levi and the McCormick binder at the North Family, a second, and possibly previously unknown photograph is included in the collection that shows Brother Levi and the binder working in the North Family’s swamp meadow. This piece of land runs along the east side of New York Route 22 just north of the Shaker’s stone grist mill. The field has now reverted to swamp but after the Shakers had under-drained the land they grew hay, grains, potatoes, onions, and even planted an orchard on the land. This photograph shows the binder in cutting and binding mode whereas the first photograph shows it in transport mode.

While the creator of this photograph has not been identified it seems likely that it was a local man named Will S. Potter or possibly someone in his family. Potter made a number of photographs of the Shakers at Mount Lebanon. Most of them were reproduced as postcards in the first and second decades of the twentieth century. Many of these postcards had titles, locations, and sometimes Potter’s name written on the negative so that when printed it created a white hand-written description on the postcard. Some of the images in the collection from which the binder photographs came had titles written in a similar manner. These written titles are consistent in style to Will Potter’s postcards but the handwriting is different, causing us to think that possibly someone such as Potter’s wife or photographic assistant may have done the titles for the postcards – if indeed Potter is the photographer. More about that another day.

A four ton trip hammer

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Forge, Center Family, Mount Lebanon, NY, 2016, Shaker Museum | Mount Lebanon. Staff photograph.

In the winter of 1846 the First and Second Order of the Church Family determined to build a new blacksmith shop, one of stone with waterpower that would operate a lathe, drilling works, a grindstone, bellows for the forge, and a trip hammer. The shop was to be built 34 feet by 44 feet and located in the corner of the Deming Lot at the northeast corner of the land bordered by the main road that ran through the village (now called Darrow Road) and the road that runs downhill to the Shaker gristmill (now called Ann Lee Lane on the east end and Cherry Lane on the west end). The shop still stands and is now a private residence. The 1845 Shakers’ census notes that there were three blacksmiths in what is now called the Center Family – Brothers Arba Noyes, James Vail, and George Long.

Construction was largely done by members of the Second Order with considerable help from hired Irish laborers who did much of the digging for the pit for the waterwheel and laid up most of the stonework. By mid-summer the wheel pit, the drain to carry away water from the wheel, and the masonry work were completed. In the early fall, the hired labor returned to build the dam to create the pond to supply water to power the shop. The dam is still standing and pond is on the east side of the road.

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Interior of the Church Family Forge with the Trip Hammer in its Original Location, Center Family, Mount Lebanon, NY, 1940, Shaker Museum | Mount Lebanon. John S. Williams, Sr., photographer.

The decision to include a trip hammer in their new blacksmith’s shop was bold, but one that greatly increased the Shakers’ ability to fabricate and manufacture items out of iron. Trip hammers of many designs have been used for a couple of thousand years. The basic principle is that some kind of power is applied, in some manner, to raise a hammer larger than can be lifted by a man so that when it is dropped it will come down with more force than a man can exert alone. Trip hammers, in addition to forging iron, have been used for hulling and grinding grain, pounding rags for papermaking, and crushing iron ore to make it easier to extract the metal from the rock. In blacksmithing, trip hammers are often used to draw out flat sheets of metal from an iron bar and to shape a piece of square iron rod, for instance flattening the end of an iron bar to make a shovel and or making round ends on a square bar to make an axel for a wagon.

The Shakers documented their new trip hammer in their journals. In January 1846, Center Family Elder Amos Stewart experimented with a model for a windmill, hoping that he could use wind power “to tilt a triphammer.” This attempt, although it would have saved building a dam for the shop, apparently failed. The next month, Brother Hiram Rude, the family mechanic, went to Lee, Massachusetts to see a “gang of Triphammers.” The Shakers frequently went to visit businesses and factories to stay abreast of new technologies. Apparently in the next few weeks a design for the hammer was drawn up and casting patterns made for the metal parts. Elder Amos and Brother Peter went to Albany to see about castings for the gearing for the hammer. It was nine months later – after the new shop was finished and its forge fired up – that Elder Amos and Brother Braman Wicks, a carpenter from the Church Family, began working again on the gearing to drive the hammer. In July, a tree was cut for the frame to hold the hammer. Apparently by winter that year the Shakers were rethinking the design of the trip hammer. Elder Amos and Brother Hiram went to Cohose, New York, to look at another trip hammer and two days after that trip they had settled “upon the form for a Hammer & spoke for castings in Troy.” This final design was completed and the trip hammer seemed to be in use shortly after that.

While trip hammers were associated primarily with iron work, the Shakers appeared to have another idea for using it quite early on – maybe even before they began planning to built it: pounding black ash logs to break down the bond between the tree’s natural growth rings. When the growth rings are separated, they are easily peeled off in long strips and become the treasured materials from which baskets are woven. Most basket makers would do this work by pounding a log with a sledge hammer. For the Shakers, the ability to more efficiently produce basket weaving material meant that they could greatly increase their production of all kinds of baskets. In November of 1847, Elder Daniel Boler of the Church Family worked “at the blacksmith shop preparing trip hammer for pounding out basket stuff.” The Shakers were so dependent on having basket materials prepared by machine that in  1863, when apparently their own trip hammer was not available, they took ash logs to Bromley King’s forging shop in Waterford, New York, to get them pounded.

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Trip Hammer on xhibition at the Shaker Museum, Old Chatham, NY, ca.1985, Shaker Museum | Mount Lebanon. Paul Rocheleau, photographer.

This trip hammer is among the largest and heaviest non-architectural objects made by the Shakers. It is over fifteen feet long, six and a half feet high, just over four feet wide, and is thought to weigh around four tons. The machine has two hammers – a large one at one end and a small one at the other end. It was powered by a waterwheel connected by a belt to the wooden drive pulley. Once the hammer got up to speed and the massive cast iron flywheel was rotating to preserve its inertia, one or both hammers could be engaged.

Watch a trip hammer demonstration from Thomas Ironworks, Seville, Ohio 

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Interior of the Blacksmith’s Shop Exhibition at the Shaker Museum, Old Chatham, NY, ca. 1955, Shaker Museum | Mount Lebanon. C. E. Simmons, photographer.

Shaker Museum | Mount Lebanon’s acquisition of the trip hammer has some tales and legends associated with it. In the 1940s John S. Williams, Sr., the museum’s founder, heard that the Shakers were breaking up the equipment in the blacksmith’s shop in preparation for selling the building. He appealed to have the work stopped until he could move the hammer and the forge and bellows to the museum. It was war-time in America and the scarcity of trucks made it difficult to find someone who could move such a heavy piece of equipment. Fortunately, Williams’s good friend Albert Callan, the owner of the Chatham Courier newspaper, had a new printing press being delivered around this time and once the delivery of the press was complete the truck headed to Mount Lebanon to move the trip hammer. Once loaded, they then had to find a route back to the Museum that did not involve crossing a bridge that could not bear the weight of the truck and hammer. Somehow it all worked out and the trip hammer has been at the Shaker Museum ever since.

The Brethren’s Workshop

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North Family Brethren’s Workshop, Mount Lebanon Shaker Village. September 23, 2016. Rrom the series “Shadows of the Shakers” by Benjamin Swett.

This past summer and fall, photographer Benjamin Swett spent time at Mount Lebanon photographing the landscape and interiors. On his initial visits, he found himself drawn by the way light moved and changed in the corridors, stairwells, and rooms of the building known as the Brethren’s Workshop, and he began to explore the different effects of light on interior spaces. “Studying these effects on the interiors brings one closer to the states of mind of these now-remote people, and spending time with the architecture puts the deliberate, practical, yet simultaneously spiritual and otherworldly mind-set of the Shakers into an accessible perspective,” Swett said.

The 1820s were an amazing time for the Shakers. Their missionary work, both in New York and New England, and as far afield as Kentucky and Ohio, had brought large numbers into the Church. In response to this rapid growth, over the next decade the Shakers embarked on a construction spree, designing buildings to be larger and more substantial than prior ones, building out of stone and brick instead of wood. Between 1824 and 1837, the Shakers built a new meetinghouse, a stone grist mill, a brick workshop, and a brick trustees’ office at Mount Lebanon; the round barn and a new brick dwelling house at Hancock; a brick trustees’ office at Watervliet; and one of their most ambitious and substantial projects – the Great Stone Dwelling at Enfield, NH. When one places all of these buildings and more not mentioned on a timeline, a clear story emerges about the Shakers’ momentum during this time and their feeling of being a church for eternity.

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Brethren’s Workshop, North Family, Mount Lebanon, NY, 1939, Historic American Buildings Survey, N. E. Baldwin, photographer.

In the midst of this boom, in 1829, the Shakers at Mount Lebanon’s North Family built a men’s workshop and family wash house, later known at the Brethren’s Workshop. The new workshop had a large over-shot waterwheel in its cellar that powered a variety of machinery. Despite the masculine name, probably thirty percent of the building was used originally by North Family sisters to wash, dry, and iron clothes. (Workshops for men and women in the same building were not uncommon, even though the Shakers were generally separated by gender.)

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Brick Shop (interior of seed shop), North Family, Mount Lebanon, NY, 1931, Historic American Buildings Survey, Charles C. Adams, photographer.

The Brethren’s Workshop has three stories, with a basement and a sub-basement and a substantial attic. The building functioned on all six floors, with nearly 17,000 square feet of usable space. The lower cellar housed the bottom of the wheel pit for the two-story water wheel, a cistern for water collected for laundry, and probably some equipment for washing, dying, bleaching, and soap making. The upper cellar housed the main power shaft for the waterwheel and connected through line-shafts and pulleys to heavier woodworking machinery, as well as the wash room for the laundry. The first floor was apparently used for smaller water-powered machinery for men’s work and the ironing room for the sisters. Much of the second floor was occupied by the North Family’s seed shop (pictured above) where they dried, cleaned, sorted, stored, and put up garden seeds into envelopes and wooden boxes for distribution by the family’s peddlers. The third floor held a shoe shop and probably workshops for the family elders and a variety of other industries: hat making, printing, tailoring, and whip making. The attic provided space for drying clothes in rainy and winter weather and probably for drying garden seeds. The Brethren’s Workshop was fitted with an elevator, or more accurately a dumb waiter since it did not transport people. The counterbalanced lift could bring wet clothes from the wash room to the attic for drying and back down to the ironing room when needed. There was no access to the lift from the floors associated with men’s work so apparently was primarily for the use of the sisters.

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Brethren’s Workshop, North Family, Mount Lebanon, NY, 1940, Historic American Buildings Survey, A. K. Mosley, delineator.

Over time the activities in the Brethren’s Workshop changed. In the late 1870s the Shakers relocated their family laundry to the south end of the 1854 Wood House leaving unused space in the workshop. Some of that space was immediately put to use storing potatoes and cabbages. In the late 1880s an apple storage cellar was constructed in the sub-basement of the building. Little by little shops were abandoned. The North Family brothers stopped making their own shoes and hats. The seed business was discontinued and that shop was used for making rug whips. When the rug whip business ceased, that shop, like several others, was left untouched and used for storage. Over the years people lived in the Brick Shop as well. Hired men were also housed in the building in the twentieth century.

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Slate roof and soffit repair, 2011.

The Shakers left Mount Lebanon in 1947 and by the 1980s the building had fallen into disrepair. In 2002 part of the building became home to a team of historic preservation architects who spent a year doing research and writing an historic structures report on all of the North Family Buildings as part of a Save America’s Treasures grant. In 2004 Shaker Museum | Mount Lebanon acquired the North Family site. For two weeks during the summer of that year the museum, with the help of fifteen teenagers enrolled in the Landmark Volunteer Program, cleared the building of non-Shaker items that had collected there over the years. In 2011 and 2012 the museum, funded by the 1876 Foundation and in collaboration with Boston’s North Bennet Street School’s preservation carpentry program, completed extensive repairs to the Brick Shop’s slate roof, chimneys, gutters, leaders, and leader-heads, and unusual plaster covered soffits.

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North Family Brethren’s Workshop, Mount Lebanon Shaker Village. October 3, 2016. From the series “Shadows of the Shakers” by Benjamin Swett.

Shaker Museum | Mount Lebanon is working on ways to open this building up to the public in 2017, beginning with Writings on the Walls, tours that look at graffiti left there by the Shakers and those who came after them. In the meantime, Swett’s photographs of the Brethren’s Workshop are on view at the Shaker Bar in Hudson, NY. Join us this Saturday, November 19, 2016 for a reception for the artist. All are welcome. Members show their membership cards for a free drink. Prints are provided courtesy of BCB Art and these limited editions are for sale at the gallery and at the Shaker Museum | Museum’s online store.  A portion of the proceeds from each sale benefit the museum.